Posted in Book reviews, End of life, How to, Interviewing, Life stories, Marketing, Personal historian, Photos, Publishing, Restoration, Tips, Video production
Tagged End of life, fees, How to, Life stories, Marketing, Personal historian, Photos, preserving, print-on-demand, Tips, top 10 posts, videography training, Women's memoirs
Have you noticed an annoying trend? Every videographer from “Cousin Harry” in Saskatoon to the BBC in London is causing our eyes and ears to bleed with cranked up sound and tightly edited, over-the-top visual effects.
Today, even the simplest home editing software has a myriad of “bells and whistles”. You can use the “Ken Burns” effect to pan or zoom in and out of photos. You can have dazzling titles and credits not to mention fancy dissolves and fades.
Now I’m not against effects. Don’t get me wrong. I use them myself. Applied judiciously to enhance a story they can be a valuable tool. The problem arises when they’re overused and distract you from the story being told.
I’ve watched many a video ruined by a filmmaker adding endless ramped-up motion to their photos. After a while I want to shout out, “For God’s sake stop with all the motion! I’m getting seasick!” Nothing spells amateurish more than the overuse of visual effects.
Life story videos are not rock videos. Unless of course you’re producing Bryan Adams’s life story. The effects should work with the subject being documented. We don’t need MTV “razzle-dazzle”. What we need are well-edited sequences that tell a compelling story with a beginning, middle, and end. We want to see pathos and joy, gravity and humor. We want, as with a good feature film, to be entertained.
If you’re about to begin editing a video biography, stop! Keep your hands off the effects buttons. Only when you’ve got a strong storyline in place – only then – consider using effects. Think of them as the icing on the cake.
Maybe, if we’re lucky, we can begin a movement back to thoughtful, elegant storytelling. And maybe my ears and eyes will stop bleeding.
Photo by Matt Reinbold
If video personal histories appeal to you but your experience with video production is limited, help is just a click away! You’ll find a wealth of valuable resources in these five sites.
- Videomaker. “This is the place to start for videography training. Here you will find hundreds of articles about audio/video software, video editing hardware, and help with video lighting techniques.”
- Video 101. “Offers tutorials on the fundamentals of film and video production. Includes video clips, flash animations, and explanations.”
- VideoUniversity. “Hundreds of free articles for new and advanced videographers. Here’s a sample: 50 Ways To Improve Your Video Business; Video Art – An Introduction; Audio for Video — Part 1 Tape Formats and Hardware; Audio For Video – Part 2 Microphones & Techniques; Audio For Video – Part 3 Audio Production Techniques.”
- MediaCollege. “… a free educational website for all forms of electronic media. We have hundreds of exclusive tutorials covering video & television production, audio work, photography, graphics, web design and more.”
- Vimeo Video School. “…a fun place for anyone to learn how to make better videos. Start by browsing our Vimeo Lessons, or find specific video tutorials created by other members.”
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Most people when they consider a life story project think of a book. There are a lot of good reasons for producing a book. But I’ll be honest. I have a video bias because producing video personal histories is my specialty. I also produce books but video is my passion. To see a sample of my work click here. So why should you consider a video for your or someone else’s personal history? Here are five good reasons.
- Video conveys the emotional content of a story. Watching someone choke up over a sad memory or laugh heartily at an embarrassing childhood moment powerfully captures a person’s innermost feelings.
- Video shows a person’s special little traits. One of the great strengths of video is that you can see and hear the person being interviewed. We are reminded of their uniqueness by the twinkle in their eye, their infectious smile, or their easy laugh.
- Video harnesses a rich array of media elements. Videos weave together interviews, photos, family movies, archival stock footage, music, sound effects, and graphics to produce a seamless and rich tapestry of an individual’s life.
- Videos are highly portable and easily duplicated. A DVD weighs ounces and can be shipped inexpensively anywhere in the world. Now with a high speed connection you can send your video to someone through the Internet. DVDs can also be easily and inexpensively duplicated.
- Videos appeal to a media savvy younger audience. Your children and your children’s children have grown up with computers, videos, and text messaging. If you want to get them to sit down with a family member’s life story, chances are they’ll watch a sixty-minute video before they’ll read a lengthy book.
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Poor composition makes a video interview look amateurish. If you don’t take time to set up your interview properly, it won’t matter how much you spent on your camcorder. Here are the five most common mistakes.
Subject placed against a blank wall.
Placing your subject up against a blank wall.
There are several problems with this. The first is that most blank walls are really unattractive. It creates the impression that your subject is being interrogated in a police holding cell. The other problem, if you’re not careful with lighting, is that your subject casts an ugly shadow on the wall. Always pay attention to the background.
Background is too busy.
Losing your subject in background clutter.
This is the opposite of the blank wall syndrome. Be careful to place your subject in such a way that he isn’t visually overwhelmed by the background. Try for an interesting but somewhat neutral backdrop for your interview.
Too much space around subject.
Too much “air” space.
You don’t want a lot of space around your subject. It creates the feeling that the space is more important than your subject.
Having “odd” forms growing out of your subject’s head.
This can create unintended humor. Check for wayward plants, ornaments, or other items that appear to have taken root on your subject’s head.
Not sufficient lead space.
Leaving too little “lead” space.
If your subject is facing left or right, you want to frame him so there’s more space in front of him than behind. This creates a natural flow from your subject’s eyes to what he’s looking at off screen.
Blank wall photo by Paul
Backgound clutter photo by Mikel Daniel
Too much space photo by Laurie
Head growths photo by Jehane
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For those of you who are new to doing video interviews for a life story, here are some common mistakes to avoid.
- Failure to read the manual. First and foremost know how to use your camcorder. Read the manual. Practice, practice, practice. And then practice some more!
- Failure to use the color balance. Don’t want blue or green looking skin? Learn how to set the color balance, which will improve your picture color.
- Dead batteries. Make certain your batteries are fully charged and that you have an additional back-up battery.
- Failure to check electrical outlets for AC hum. If you’re using an electrical outlet to power your camcorder, check to make certain that you’re not getting an electric “hum” on your audio.
- Dirty lens. Nothing marres a picture more than a spot or smudge. Always clean your camera lens with a lens cleaning solution and lens tissue.
- Out of focus. Check to make sure your subject is in focus. Use the manual rather than the auto focus.
- Incorrect exposure. Make certain to check your exposure so that your subject is neither over or under exposed.
- Incorrect Recording Mode. You can choose from SP (standard play) and LP (long play). Use SP mode. It allows for downloading to computer and provides a better picture.
- Failure to monitor audio quality. Use a good quality lavaliere microphone if your camcorder has an external mic terminal. If it doesn’t, then make sure that you place the camera no more than 4 feet from your subject. Also try to record in a room that is quiet, one with rugs, drapery, and padded furniture.
- Leaving a cassette in the camcorder. Rewind your tape when you’re finished and remove it from the camcorder. Failure to do so can cause the tape to become slack or damaged.
In future posts I’ll be talking about proper composition and lighting for your interviews.
Photo by Aleksi Aaltonen
Posted in How to, Interviewing, Life stories, Personal historian, Tips, Video production
Tagged camcorder tips, How to, Interviewing, life story, mistakes, Personal historian
If you’re like me traditional holidays can sometimes feel like an obligation – the true meaning lost amidst crass commercialism and forced conviviality. Thanksgiving in Canada is only a week away on October 13th and in the United States it falls on November 27th.
Why not put thankfulness back into Thanksgiving by planning to record some favorite Thanksgiving memories along with the turkey and pumpkin pie. Arrange ahead to interview Mom or Dad, Grandma or Grandpa, or an ancient aunt who has so many wonderful stories to tell. Have a voice or video recorder handy and find a quiet part of the home were you can capture some wonderful memories of Thanksgivings past. Here are some questions to get you started.
- What was your most memorable Thanksgiving? Where was it? Who was there? What was happening?
- What do like most about Thanksgiving?
- How has Thanksgiving changed over the years?
- What does Thanksgiving mean to you?
- How was Thanksgiving celebrated when you were a child?
Make this Thanksgiving memorable by taking the time to unlock and record remembrances of Thanksgivings past.
What’s your favorite Thanksgiving memory? I’d love to hear from you.
Photo by Marlene
For all of us who’ve ever lost a faithful pet, their death is a terribly painful experience. Now there are a growing number of companies who produce memorial pet videos. Most combine your favorite photos with music and deliver these on a DVD. Some of these pet legacies are more elaborate. Family Legacy Video a Tucson, Arizona based company can produce a documentary style video on your pet. Here’s what they have to say:
The foundation of your Pet Legacy Video™ is you – an on-camera interview where you recount your favorite memories and stories and talk about what your pet has meant, and continues to mean, to you. If your pet still lives and hasn’t crossed the Rainbow Bridge, he or she can appear on camera with you. Then, Family Legacy Video will tape you and your pet enjoying quiet times, having fun or doing whatever you most like to do together.
Other sites you might want to check out are Thomson Films and Diotte Video Design.
Photo by Roger H. Goun
Vanessa Thorpe writing an article in The Observer in London warns that:
A virulent infection is destroying the audio and videotapes once used to capture important moments of family life and great historic events. The fungal blight, or ‘tape mould’, has already ruined thousands of miles of audio and video tape in Britain and, according to specialist restorers, much more is likely to be deteriorating, unobserved, in storage. The infection of VHS cassettes and of the audio cassettes popular in the 1980s and 1990s is increasing at an alarming rate.
Here are some tips on preventing the spread of mould.
- Look for a fine white dust.
- Don’t play the damaged tape.
- Don’t place mouldy tapes near other newer tapes.
- Thoroughly wash your hands after handling an infected tape.
- Keep tapes in a dark, dry place away from heat.