Tag Archives: National Film Board of Canada

Monday’s Link Roundup.

Happy New Year! And another year of Monday’s Link Roundup with connections to stuff I like and I hope you’ll like too.  My selections are loosely based on items that I think will be of particular interest to those of you professionally involved in personal history, genealogy, and memoir. Enjoy!

  • Grierson: A Documentary About the Filmmaker Who Coined “Documentary” “Grierson is a 1973 documentary about the father of documentary by Canadian filmmaker Roger Blais, now free online in its entirety courtesy of the National Film Board of Canada. Through archival footage, interviews with people who knew him, and footage of Grierson himself, Blais paints a lively and fascinating portrait of a man who was concerned not only with documentary film as an art form but also as a powerful tool of democracy.”
  • VuPoint Solutions Magic Wand Scanner. “The Wand [is]a portable scanner—one of the most portable available. If you need to scan on the go, and don’t want to be weighted down with hardware, that alone makes it worth considering.”
  • Top 10 Photoshop Tricks You Can Use Without Buying Photoshop. “You can do just about anything to an image with Photoshop, but if you don’t have the cash to shell out, free program the GIMP—available for Windows, Linux, and OS X—can take you pretty far. Here are our favorite Photoshop how-tos that also work in the GIMP.”
  • Errol Morris: Two Essential Truths About Photography. “In this video created by the Guardian, writer and award-winning documentary filmmaker Errol Morris talks about the nature of truth, art, and propaganda in photography. He draws examples from the photographs of Abu Ghraib and the Crimean War, both cited in his book Believing is Seeing, and he asks the viewer to consider a most fundamental question: how does a photograph relate to the physical world? Unlike a verbal or written statement, a photograph cannot be true or false. It simply is.”
  • 12 Tips for the Year of the Memoir! “During breaks in your holiday celebrations, get ready for the Year of the Memoir–2012! Here’s a tip for each month, or you can try one a day for the 12 days of Christmas.”
  • The New York Times “The Lives They Lived”. ” The Lives They Lived is not a greatest-hits issue. Instead, we gravitated to those lives with an untold tale. For storytelling expertise, we enlisted Ira Glass and his team from “This American Life” to edit a special section devoted to ordinary people. And through social media, we put out a request to readers for pictures of loved ones. Samples of the hundreds of submissions we received are beautiful evidence that every life is a story worth remembering.”
  • How to Increase Your Focus. “I confess to being as prone to the distractions of the Internet as anyone else: I will start reading about something that interests me and disappear down the rabbit hole for hours (even days) at a time. But my ability to focus on a single task has dramatically improved, and that one habit has changed my life.”

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The Best of Monday’s Link Roundup.

Many of you know that every Monday for the past year I’ve pulled together 7 Internet articles that I’ve found noteworthy and presented them here. That’s over 300 items!

I’ve combed through the Monday’s Link archive and selected 7 posts that are particularly outstanding. If you haven’t had a chance to read these, make yourself a cup of coffee or tea, settle back, and enjoy some stimulating reading.

  • A Tribute to KODACHROME: A Photography Icon. “They say all good things in life come to an end …It was a difficult decision, given its rich history …We at Kodak want to celebrate with you the rich history of this storied film. Feel free to share with us your fondest memories of Kodachrome.”
  • The Future of the Book. “Meet Nelson, Coupland, and Alice — the faces of tomorrow’s book. Watch global design and innovation consultancy IDEO’s vision for the future of the book. What new experiences might be created by linking diverse discussions, what additional value could be created by connected readers to one another, and what innovative ways we might use to tell our favorite stories and build community around books?”
  • Ira Glass on the Art of Storytelling. “Since 1995, Ira Glass has hosted and produced This American Life (iTunes – Feed – Web Site), the award-winning radio show that presents masterfully-crafted stories to almost 2 million listeners each week. What’s the secret sauce that goes into making a great story, particularly one primed for radio or TV? Glass spells it out in four parts.”
  • “Welcome to Pine Point”: digital narrative chases memory and loss.“What if your hometown disappeared, literally vanished from the map? How would you hold onto it? Would the community of people who had lived there continue? “Welcome to Pine Point” is a website that explores the death of a town and the people whose memories and mementos tell its story today. The site lives online under the auspices of the National Film Board of Canada and came into the world via the creative duo of Michael Simons and Paul Shoebridge (also known as The Goggles).”
  • Memory and Invention: An Essay by Mavis Gallant. “Imagination, all invention, will occur spontaneously – occur or interfere. ‘Interference’ means it is false, mistaken, untrue. Although I have kept a journal for years, I never look anything up. A diary is not a dictionary or the record of a meeting. Sometimes a sharp, insistent image caught in one’s mind, perhaps of a stranger glimpsed only once, will become the living source of a whole story.”
  • Dear Photograph: A website with a window into the past. “In the past month, a summery, slightly sad website has made the trip from non-existence to international exposure. It’s called Dear Photograph, and its premise is simple: Take a picture of an old photo being carefully held up in front of the place it was originally taken, so it appears to be a window into the past.”
  • Affirmation, Etched in Vinyl. “For years I tried to construct a viable idea of my long-gone father by piecing together scraps of other people’s memories. I was only 6 when he died,…My father’s death stole many things from me, including the sound of his voice. For instance, I have tried to remember his laughter from that final night — its timbre and roll — but my mind is an erased tape. I possess the knowledge of his laughter and of Angie and Johnny’s bubbly white noise but have no memory of the sounds themselves. It’s as if I have garnered these details by reading a biography penned by a stranger.” [Thanks to Pat McNees of Writers and Editors for alerting me to this item.]

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