Tag Archives: storytelling

I Need Your Advice: Part Two.

thank you

Thank you! What a wonderful response to last weeks post, I Need Your Advice.  My appreciation to all of you who gave your thoughtful reasons for my recording my life story.

Your reasons boil down to these five:

  • It’s an opportunity for reflection, insights, and renewal.
  • Friends and colleagues want to know the person behind the blog.
  • My life’s been interesting and it should be documented.
  • My personal view of the events that have shaped my past are part of our collective oral history.
  • I’ll be more empathetic of my clients as they work through their life story.

As great as these are, it was an e-mail response from Bruce Summers, a fellow member of the Association of Personal Historians,  that moved me the most. I was reminded again of the power of storytelling. And how stories can be far more effective than facts and arguments in touching our hearts.

I asked Bruce for permission to reprint his story. He kindly agreed.

Do yourself a favor and read this lovely reminiscence and its convincing argument for the need to record our life stories.

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Joe & Helen

by Bruce Summers

Growing up I lived next to Joe and Helen Sitler. They were an older couple with no children. Joe had no brothers and sisters and he was the end of the Sitler line. We loved Helen. She was like a third grandmother to us. Joe was a bit gruff.  He would not let us play in his yard, especially when he was mowing. He was afraid that the lawn tractor might throw a stone and hit me or one of my three brothers. In middle school I shared a bit of Joe’s story in an article I wrote for the school magazine. People thought I made it up, notably the parts about what I had learned from Joe.

Later when Joe was very ill and nearing death, my older brother and I went over and helped Helen move him.  He was skin and bones.  Helen needed help so she could give him a sponge bath and change his linens. Joe died soon after. This was my first encounter with the death of a friend and a neighbor. Even though he was a bit gruff, he was Helen’s husband and because of this he was a special man. They used to love to go to the City and dance to the music of the Big Bands when they came to town. He was born in the 19th century and had lived a full life and retired before I knew him. Most importantly he captured Helen’s heart and had been a good husband. I missed Joe and 40 years later still treasure my memories of him.

Another eight or so years later after I graduated from college, I had the privilege of house sitting in Joe and Helen Sitler’s  house. This was after she herself had grown older, more feeble and hard of hearing and needed to be in a nursing home. Her hearing aids did not really work well and it was hard to talk with her, hard to share with her how important she and Joe had been as our older grandparent-like neighbors, too late to tell her that I felt a little bad for stealing some of the grapes each year that Joe grew on his grape arbor just five feet from the border of our yard. I wished too late that I knew more about Joe and Helen who had no descendants and no relatives that we knew. They were our neighbors. They were our friends and they shared part of our lives growing up.

As I sat in their living room and slept in a bed in one of their bedrooms, cooked my meals at their table, wrote newspaper stories on my typewriter at their dining table, as I explored their home, the time capsule that they had lived in, I wondered about their lives. I remembered that Joe never let Helen turn on the electric lights. They used candles and were very frugal. She canned vegetables and fruits. The jars were in the basement in the back room on a built-in shelf made just for that purpose.

I finally left that house to join the Peace Corps. I visited Helen to say goodbye, realizing that I would likely never see her again. When she died, I asked my parents to purchase an old high-backed Walnut Chair from their living room. It was the one I sat in to watch TV or to write letters to my future wife late at night. I wanted to have a piece of their story since I was never going to have any written history.

I am left with memories of Helen and Joe – my good and my gruff neighbors. They have no descendants. They are the last of their line but are not yet forgotten forty years after they both had died.

Perhaps you will or will not decide to write your story – a bit of a legacy to the rest of us and to friends and colleagues, many of us very virtual and little known to you. I enjoy your blog posts. I very much enjoy the stories you tell and I admire your work and your background. You never know for sure who will read, who will remember, who will retell or share your story. It might mean a great deal to many of us to know a bit more about the man behind the camera and the man behind the blog. Good luck with your decision.

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Photo Credit: woodleywonderworks

Monday’s Link Roundup.

Monday's Link Roundup

Happy Victoria Day to my Canadian compatriots.  For those of you who have the day off, what better way to idle a few hours away than immerse yourself in my Monday’s Link Roundup. ;-)

  • Oral history and hearing loss. “I rarely consider the basics of oral history collection and production, the act of sharing someone’s story with a wider audience. That is one of several reasons I so enjoyed Brad Rakerd’s contribution to Oral History Review issue on Oral History in the Digital Age, “On Making Oral Histories More Accessible to Persons with Hearing Loss.” In his piece, Rakerd discusses the obstacles people with hearing loss or other limitations on speech understanding face when engaging with oral history, and offers several recommendations to allow scholars to make their material more accessible. Mad with the power of the OUPblog post, I contacted Rakerd to prod him for more information.”
  • How to Write a Simple Business Plan. “Simple is always best. So with this in mind, here’s our guide to writing a business plan that won’t make potential investors want to tear their hair out in confusion.”
  • The Stories That Only Artists Can Tell. “…it seems to me that artists talk about different things when describing themselves than do their biographers and commentators. Biographers focus almost exclusively on the artwork, who taught and influenced the artist, changes in the artist’s work, an estimation of the artist’s work. Who the artist knew and spent time with, as well as notable events in the artist’s life, are detailed to the degree that they explain the evolution of the artwork.”
  • Walking Across America: Advice for a Young Man. “It’s rare we take the time to listen to hour-long radio stories anymore, but I hope you’ll listen to this one, maybe twice. It’s an epic journey, a coming of age story, and a portrait of this country–big-hearted, wild, innocent, and wise…Andrew Forsthoefel, a first-time radio producer, who set out at age 23 to walk across America, East to West, 4000 miles, with a sign on him that said, “Walking to Listen.” Eventually, he showed up here in Woods Hole.Andrew didn’t intend to make a radio story–he just wanted to listen to people. You’ll hear in Andrew’s interviews his quality of attention. He is a magnet for stories and for the desire to connect.”
  • The Einstein Principle: Accomplish More By Doing Less. “Einstein’s push for general relativity highlights an important reality about accomplishment. We are most productive when we focus on a very small number of projects on which we can devote a large amount of attention.”
  • Why You Should Give A $*%! About Words That Offend. [NPR Interview] “If you said the “s” word in the ninth century, you probably wouldn’t have shocked or offended anyone. Back then, the “s” word was just the everyday word that was used to refer to excrement. That’s one of many surprising, foul-mouthed facts Melissa Mohr reveals in her new book, Holy S- – -: A Brief History of Swearing. Though the curse words themselves change over time, the category remains constant — we always have a set of words that are off-limits. “We need some category of swear words,” Mohr says. “[These] words really fulfill a function that people have found necessary for thousands of years.”

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How Good are Your Interviewing Skills?

A+

Try this short self-assessment. You’ll  get a sense of your strengths and weaknesses as a personal history interviewer.

My suggestion would be to work from a printed copy. You can easily do this by scrolling to the bottom and next to Share this click the print button.

This is adapted from a larger self-assessment that I developed for use by our Life Stories volunteers at Victoria Hospice.

_______________________________

1. I listen to my previous recorded interview with the storyteller and make notes on additional questions I want to ask.

always             almost always                   sometimes                 never

 2. I prepare a list of questions I want to cover before my next interview session.

always             almost always                   sometimes                 never

3. I can leave my troubles at the door and concentrate on the storyteller.

always             almost always                   sometimes                 never

4. I ensure that the storyteller is as comfortable as possible for the interview.

always             almost always                   sometimes                 never

 5. I ensure that all audio distractions such as telephones, radios, TVs, and music players are turned off.

always            almost always                   sometimes                 never

 6. I try my best to make sure that there are no other people in the room when I’m interviewing the storyteller.

always             almost always                   sometimes                 never

7. As much as possible, I use open-ended questions which start with: Who, What, When, Where How and sometimes Why.

always             almost always                   sometimes                 never

 8. I provide appropriate supportive non-verbal listening such as nodding, smiling, frowning, leaning forward, and maintaining “non- intense” eye contact.

always             almost always                   sometimes                 never

 9. I use supportive verbal acknowledgment sparingly. This includes such expressions as: I see. Yes. Mmm. Right. Of course. Really. Tell me more. That must have been very difficult.

 always             almost always                   sometimes                 never

 10. I keep an open mind and don’t mentally judge the storyteller’s remarks.

always             almost always                   sometimes                 never

 11. I ask only one question at a time.

always             almost always                   sometimes                 never

 12. If I don’t understand what has been said, I ask the storyteller for clarification.

always             almost always                   sometimes                 never

 13. When appropriate during the interview, I recap what the storyteller has told me.

always             almost always                   sometimes                 never

 14. If possible, I face the storyteller and sit no more than five feet away.

always             almost always                   sometimes                 never

15. I speak in a clear voice and loud enough to be heard by the storyteller and picked up by the recorder mic.

always             almost always                   sometimes                 never

 16. If I sense resistance to a question, I don’t force the storyteller to answer.

always             almost always                   sometimes                 never

 17.  I easily admit to being at a loss for the next question and suggest time out.

always             almost always                   sometimes                 never

18. When I become aware that a response by the storyteller could cause others discomfort, I pause the recorder. I remind the storyteller that others will hear their remarks. I then ask if the storyteller wishes me to continue recording or switch to a different topic.

always             almost always                   sometimes                 never

19. I’m comfortable with sad, tearful moments.

always             almost always                   sometimes                 never

20. For the most part, I don’t ask questions from a list, preferring to use it as back up.

always             almost always                   sometimes                 never

21. I’m genuinely curious and encourage the storyteller to provide more detail and texture to stories. I temper this with a need to balance time constraints and to honor the storyteller’s wishes regarding disclosure.

always             almost always                   sometimes                 never

22. If I’m recording potentially revelatory stories, I make certain that as soon as possible I acknowledge on the recording that the storyteller has given me permission to record this material.

always             almost always                   sometimes                 never

23. I know when I’m encountering emotionally charged stories that are beyond my ability and expertise to handle.

always             almost always                   sometimes                 never

24. I’m comfortable suggesting to the storyteller that the person might wish to speak to a counselor.

always             almost always                   sometimes                 never

25. I gently bring the storyteller back to the topic at hand if the person has strayed into material that is of little or no interest.

always             almost always                   sometimes                 never

 26. If the storyteller begins to use the interview as an opportunity to malign someone, I stop the recording. I explain that this is not appropriate and that I will not proceed if the storyteller insists on expressing such comments.

always             almost always                   sometimes                 never

 27. I am more concerned at getting the stories behind a life than the facts of the story.

always             almost always                   sometimes                 never

28. At the end of the interview session I thank the storyteller for taking the time to share memories.

always              almost always                  sometimes                  never

_______________________

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Image by iStockphoto

Monday’s Link Roundup.

Monday's Link Roundup

In this Monday’s Link Roundup don’t miss Should you work for free? It looks at what it means to do the work of a professional and the difference between that and the work that goes into a hobby.  If you’re concerned about the proliferation of digital gadgets in our lives, then you’ll want to read Cyborg dreams. It examines the dangers inherent in the magic of new technologies.

  • Getting Over Your Self-Promotion Phobia. “…here are a few tips to help you nip your fear of self-promotion in the bud. When you overcome the perceived horrors of doing so, you will likely find that your business grows–and that self-promotion isn’t so bad after all. You may even grow to love it!”
  • 10½ Favorite Reads from TED Bookstore 2013. “I had the honor of curating a selection of books for the TED Bookstore at TED 2013, themed The Young. The Wise. The Undiscovered. Below are this year’s picks, along with the original text that appears on the bookstore cards and the introductory blurb about the selection:”
  • Should you work for free? “Work is what you do as a professional, when you make a promise that involves rigor and labor (physical and emotional) and risk. Work is showing up at the appointed time, whether or not you feel like it. Work is creating value on demand, and work (for the artist) means putting all of it (or most of it) on the line. So it’s not work when you indulge your hobby and paint an oil landscape, but it’s work when you agree to paint someone’s house by next week. And it’s not work when you cook dinner for friends, but it’s work when you’re a sous chef on the line on Saturday night.”
  • The Ghost in the Gulfstream. “Tapped by the late billionaire entrepreneur Theodore Forstmann to ghostwrite his autobiography, in 2010, the author found himself jetting off to Paris and London on Forstmann’s Gulfstream while the then chairman of IMG told tales of his legendary career as private-equity pioneer, philanthropist, and playboy. It was only when Rich Cohen sat down to actually write the book that the trouble began: an emotional tug-of-war that mirrored a central conflict in Forstmann’s life.”
  • Cyborg dreams. “Digital gadgets are the first thing we touch in the morning, and the last thing we stroke at night. Are we slaves to their magic?”
  • ‘Licking the Spoon’ by Candace Walsh. “…is a gastro-journey to self-discovery. It begins with a short family history, because Walsh’s family is instrumental in her life and cooking. Then it moves from her birth through her growing up on Long Island, her college years in Buffalo, her early twenties in New York City, her first marriage, divorce, and more. Through it all, Walsh narrates her life alongside the food that inspired and sustained her—from cookies baked at her mother’s side to thrifty split pea soup to “dinners of the defeated” to bacon-wrapped eggs with polenta. It’s a clever concept, and there is much to savor within these pages.”

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How to Ask Questions that Will Unlock Life Stories.

locks

“A storyteller who provided us with…a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearing us out with repetition, misleading emphases and inconsequential plot lines…The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting wooliness of the present.” — Alain de Botton (The Art of Travel)

______________________

Last week I wrote How to Get the Stories in a Life Story Interview.  I spoke about the need to draw on good storytelling techniques (i.e.,  surprising twists and turns, interesting characters, a sense of progression, etc.) when interviewing a client for a life story.

Today I want to focus on the kind of questions that will help unlock the stories.

What you want to think about as you’re interviewing a client is how do my questions help reveal the stories of this person’s life.

Avoid at all costs questions that lead to mind-numbing details that neither illustrate nor contribute to the story being told.

Now don’t get me wrong. There’s nothing inherently wrong with the minutiae of a life. But it must in some way enhance our appreciation of the overall story. For example, describing in some detail what an individual wore to school could nicely illustrate the story of how poor this person was compared to fellow classmates.

On the other hand, details about where an interviewee bought his shoes, what kind of shoes they were, their color, how well they fit, and how much his friends admired them will cause our eyes to glaze over – unless there’s a payoff.

To elicit stories  use prompts such as Describe, Illustrate, Paint, and Tell.

To illustrate, I’ve grouped together six pairs of life story queries. The first in each pair is  weaker than the second and on its own not likely to lead to much of a story. The second question is stronger and provides more opportunity for story telling.

Weak  “Where did you live?”
Strong  “Paint a picture for me of the place where you grew up.”

Weak “What did you do on summer holidays?”
Strong “What was one of your most memorable summer holidays?”

Weak “What is your grandchild’s name?”
Strong “Tell me a favorite story of you and your grandchild.”

Weak “What was a peak moment in your life?”
Strong “Describe a time when you felt on top of the world.”

Weak  “What regrets do you have in your life?”
Strong “Describe an incident in your past that you still regret.”

Weak “What was the hardest part of being a parent?”
Strong “Tell me a story that illustrates the challenges of being a parent.”

As personal historians we have an opportunity to turn the richness of a person’s life into an engaging and treasured story.

Remember the words of Ken Kesey.

“To hell with facts! We need stories!”

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Photo Credit: DaveBleasdale via Compfight cc

Monday’s Link Roundup.

Monday's Link Roundup

If you’re a fan of documentary films, you’ll want to check out The Best Documentaries of 2012 in this week’s Monday’s Link Roundup. And with all the severe weather experienced in many regions of  North America, be sure to take a look at Emergency Preparedness, Response & Recovery. You’ll find excellent advice from the Library of Congress on saving precious family collections.

  • Speak, Memory by  Oliver Sacks. [The New York Review of Books] “We, as human beings, are landed with memory systems that have fallibilities, frailties, and imperfections—but also great flexibility and creativity. Confusion over sources or indifference to them can be a paradoxical strength: if we could tag the sources of all our knowledge, we would be overwhelmed with often irrelevant information.”
  • The clues to a great story. [TED talk] “Filmmaker Andrew Stanton (“Toy Story,” “WALL-E”) shares what he knows about storytelling — starting at the end and working back to the beginning.”
  • Emergency Preparedness, Response & Recovery. “Mitigating the impact of emergencies and disasters is essential to preserving collections and family heirlooms. Whatever the disaster or emergency may be, water exposure is one of the most common problems and though not necessarily catastrophic, can result in total loss. Sound emergency planning, response, and recovery reduces this risk.”
  • Robert B Silvers. “As the New York Review of Books celebrates its 50th anniversary, its editor for all those years explains why a world without long, serious reviews is ‘unthinkable’.”
  • How To Stay Sane: The Art of Revising Your Inner Storytelling. “How To Stay Sane (public library; UK), [is] part of The School of Life’s wonderful series reclaiming the traditional self-help genre as intelligent, non-self-helpy, yet immensely helpful guides to modern living. At the heart of Perry’s argument — in line with neurologist Oliver Sacks’s recent meditation on memory and how “narrative truth,” rather than “historical truth,” shapes our impression of the world — is the recognition that stories make us human and learning to reframe our interpretations of reality is key to our experience of life.”
  • The Best Documentaries of 2012. [PBS] “From Sundance to the Oscars — and every festival, critics list and industry awards show we can find in between — we’re continually updating our list of lists of the “best” documentaries.”

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How to Get the Stories in a Life Story Interview.

iStock_in the beginningWhat makes a great story? If you think of the characteristics of your favorite novels, you’ll probably come up with a list like mine:

o engaging characters

o interesting settings

o intriguing and coherent plot

o surprising twists and turns

o conflict and resolution

These same story elements also apply to non-fiction works like life stories or memoirs. One of the pitfalls that inexperienced personal historians  make is to forget this. Great stories engage the reader or listener.

A narrative that reads, “This happened and then that happened. And then this happened followed by that happening.” is not engaging. It’s simply a recitation of events, places, and details.  It’s boring.

Here’s how you can ensure that you get great stories.

As you interview a client, listen carefully and ask yourself the following questions:

  • Does the story have a strong sense of place?
  • Are the characters well drawn?
  • Is the story intriguing?
  • Am I drawn in?
  • Am I delighted?
  • Am I surprised?
  • Is there a sense of moving forward – a journey?
  • Is the storyteller emotionally connected to the story?
  • Is this a crucial story in the person’s life? Is it a turning point?
  • Does the story seem to have a purpose? That is, is it worth telling?

If your answer is “No” to any one of these, gently redirect the interview. Ask questions that will turn the “No’s” into “Yes’s”.

You’ll be surprised at how much more engaging your client’s  stories will be.

Guaranteed.

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Photo by iStockphoto

Monday’s Link Roundup.

Monday's Link Roundup

In today’s Monday’s Link Roundup, if you look at nothing else, I highly recommend Noah St. John’s ‘The Last Mile’ [Video]. It’s tour-de-force storytelling by a 15-year-old boy. And for some excellent scanning advice from the Library of Congress make sure to read Scanning: DIY or Outsource.

  • Protecting Your Digital Assets in the Afterlife. “Many consumers have gone down the virtual path, accumulating online store credits and using PayPal to buy goods and services. But digital assets, which include anything from social networking profiles to email accounts to websites, can have value far beyond money. So the question remains: What happens when you pass away?”
  • Rare color photos of World War I. “Photographer Anton Orlov recently discovered over 600 color images from World War I on “Magic Lantern” slides in a house in Northern California. The images depict snow-covered villages, train tracks, bullet-riddled buildings, and soldiers in trenches, by houses and on trains. The slides were hand-colored and are still in good condition.”
  • Scanning: DIY or Outsource. “At our personal digital archiving events, we get various questions about scanning family photos, slides, negatives and film. Questions like:  What type of scanner should I use? What resolution should I use? How can I scan negatives? While we’ve focused on developing tips and resources for saving personal digital materials created with software and hardware, we recognize that individuals have the both analog and digital materials and are looking for guidance on how to deal with both.”
  • Virginia Woolf on the Creative Benefits of Keeping a Diary. “A fairly late journaling bloomer, she began writing in 1915, at the age of 33, and continued until her last entry in 1941, four days before her death, leaving behind 26 volumes written in her own hand. More than a mere tool of self-exploration, however, Woolf approached the diary as a kind of R&D lab for her craft.”
  • My sons and I were linked in by Lincoln. “I was disappointed not long ago when my 21-year-old son, John, turned down my invitation to see the movie Lincoln. “I am not into politics, Dad,” he said over the phone. “Forget politics – think history,” I responded.”
  • Noah St. John’s ‘The Last Mile’ [Video] “This is the first of series of stories from a new partnership between The Huffington Post and NPR’s new hit storytelling program, “Snap Judgment,” hosted by Glynn Washington. And it’s a good one.” [Thanks to Sally Goldin of  Tell Me A Story for alerting me to this item.]

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Monday’s Link Roundup.

Monday's Link Roundup

With Christmas near  I couldn’t resist including 1937-1966  ‘Post Early for Christmas’ posters in this Monday’s Link RoundupIf you’re a nostalgia buff, don’t miss these. I’m a big fan of simple words when it comes to conveying a message so I was delighted to find this short animation, The Power of Simple Words.  If you’re planning to launch your business in 2013, take a look at  The Entrepreneur’s Handbook: 101 Resources for First Time Entrepreneurs. It contains a wealth of information.

  • Can Immigrants Heal Through Storytelling? “Renowned journalist and storyteller Ira Glass says “Great stories happen to those who can tell them.” Newcomers to Canada have some of the richest stories of all;…Pah Wah was born in Burma (now Myanmar)…Her story was created in an innovative program from NYCH [North York Community House] called digital storytelling that captures the stories of newcomers to Canada.”
  • 8 Mistakes to Avoid When Starting a Business From Home. “Launching a business from home can provide tremendous flexibility and the kind of work-life balance that we all crave. But the reality is that home businesses bring their own set of challenges, says Caroline Daniels, lecturer for entrepreneurship and technology at Babson College in Wellesley, Mass. For example, “doing your business on your own from home can get stale. It’s hard to keep feeding the imagination all on your own.”
  • The Power of Simple Words.[Video] “Long, fancy words designed to show off your intelligence and vocabulary are all very well, but they aren’t always the best words. In this short, playful video Terin Izil explains why simple, punchy language is often the clearest way to convey a message.”
  • Library of Congress releases 1,600 brilliant photos of America’s World War II-era past. ” A government photo album is giving viewers a rare invitation into America’s colorful past. The Library of Congress has released over 1,600 color images of American society, all snapped during the World War II era.The nostalgic photos, taken between 1939 and 1944, give viewers a look at different slices of life in the then-48 states, from women working at an airplane plant in California to farmers surveying their property in New Mexico.”
  • The Entrepreneur’s Handbook: 101 Resources for First Time Entrepreneurs. “Are you looking to take the leap into starting your own business in [2013]? If you’re just starting to think about it, or if you have been planning it for a while, you still may have lots of unanswered questions. The following 101 resources will help you learn more about entrepreneurship, startups, small business, and much more.”

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Monday’s Link Roundup.

In this Monday’s Link Roundup there’s so much good stuff to choose from. As a closet designer, I was particularly drawn to The Phaidon Archive of Graphic Design.  This is a must on every designer’s wish list. As someone who volunteers at our local Hospice, I was deeply moved by Hospice Hand Portraiture.  And if your business involves the gathering or tellingof stories, you’ll want to read Telling Your Story: The Secrets To Content Branding.

  • People Of The Bookshelf. “Alpha by subject … or by dinner party seating rules? Pulitzer Prize-winning novelist Geraldine Brooks on a shelving obsession.”
  • Are You Overwhelmed by Marketing? “Does it seem like there are just too many things to do to market your business? It’s easy to get overwhelmed by marketing ideas, plans, and tasks, especially when many of them involve learning new skills. And then people are always telling you about something else to do. But you’re only one person. You can only afford to pay for so much help. Is it really even possible to do everything about marketing that others say you should? Here are four steps to find a clear path out of marketing overwhelm.”
  • Hospice Hand Portraiture. “As a hospice nurse and photographer I have the honor to witness and capture the unwavering expression of love that endures between people living with terminal illness… Hand portraiture preserves this important expression of love. Each hand is different; a symbol of identity that embodies character and tells stories. Hands reveal honest emotion. Hands are for holding.”
  • The Phaidon Archive of Graphic Design. “Every once in a while, along comes a book-as-artifact that becomes an instant, inextricable necessity in the life of any graphic design aficionado. This season, it’s The Phaidon Archive of Graphic Design — an impressive, exhaustive, rigorously researched, and beautifully produced compendium of 500 seminal designs…”
  • Mary Karr, The Art of Memoir No. 1.[Paris Review Interview] The Liars’ Club, Karr’s 1995 memoir of her Gothic childhood in a swampy East Texas oil-refining town, won the PEN/Martha Albrand Award for First Nonfiction, sold half a million copies, and made its forty-year-old author, who was then an obscure poet, a literary celebrity…For a writer who has shared herself with the public in three memoirs, Mary Karr is an extraordinarily elusive interview subject. Nearly two years passed between our initial contact, in July of 2007, and our first session.” [Thanks to Pat McNees of Writers and Editors for alerting me to this aerticle.]
  • 9 Of The Most Beautiful Words In The English Language. “I’ve riffled the pages of scores of old dictionaries and ransacked my father’s old army trunks, which now contain hundreds of my journals and notebooks. More than once during my restocking I’ve thought of the startling line in J. M. Barrie’s Peter Pan, where Captain Hook is described: “The man isn’t wholly evil; he has a thesaurus in his cabin.” Recently, I felt even more vindicated about my ardent belief in the beauty of word books when I heard the deadpan comedian Stephen Wright say on late-night television, “I was reading the dictionary. I thought it was a poem about everything.”
  • Telling Your Story: The Secrets To Content Branding. “Facts are boring but putting facts into a context with emotion makes them memorable. Stories help you connect with people on a sensory level…The late Steve Sabol, the man behind NFL Films, once said “tell me a fact and I’ll learn, tell me a truth and I’ll believe. But tell me a story and it will live in my heart forever.”

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